Categories
@dsgnblts on Twitter
- RT @claudiakincaid: Universities please stand-up collectively, as a social institution, and say no. Because this won't stop. It will get wo… 1 day ago
- RT @typographyIRL: R.I.P. Damien Harrington, former boss and brilliant teacher. Those sessions in Downes's were an education. Ní fheicfimid… 1 day ago
- RT @BryanVanNorden: Was This Ancient Taoist the First Philosopher of Disability? By @Iron_Intellect and @BryanVanNorden in @nytimes https:… 1 day ago
- RT @lizfarrelly: “the autonomic, unconscious, reflexive response to expectations from a thousand imaging inputs & neurological societal dow… 1 day ago
- RT @dsgnblts: ... Zum Artikel: tinyurl.com/y734nn3y [PDF] (* Spoiler Alert) #Gender #Horror #Körper #Film #Geschlecht #SpoilerAlert… 1 day ago
Tag Archives: UBERMORGEN
How much of this is fiction
A new exhibition at HeK (Basel) explores the radical shift in the boundary between fiction and reality in a world increasingly governed by ‘post-truth’ politics. Yesterday (May 22), a thrilling group show opened at HeK, focusing on critical artistic practices, which … Continue reading
Posted in art, event, exhibition, Politik
Tagged !Mediengruppe Bitnik, Annet Dekker, Arabian Street Artists, art, basel, Caram Kapp, Coco Fusco, David Garcia, Don Karl, Heba Y. Amin, HeHe, hek, Ian Alan Paul, Julian Oliver & Danja Vasiliev, kunst, Maia Gusberti, Mathieu Cherubini, Morehshin Allahyari, obfuscation, Paolo Cirio, Paul Garrin, politics, Post-truth, postfactisch, Protest, Robert Ochshorn, Ruben Pater, Superflux, The Yes Men, UBERMORGEN, Wachter & Jud
Leave a comment
