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@dsgnblts on Twitter
- RT @tombieling: Looking forward to your extended abstracts! (Deadline: 15 Jan) https://t.co/KG5bcVPDdv 4 days ago
- RT @NicoHeller: Years before Kandinsky, the Swedish artist was painting circles, sunbursts and looping lines – instructed, she believed, by… 4 days ago
- RT @delfina_fantini: Unpacking hegemonic futures: “moving from probabilities to possibilities”. Stimulating speculative research discussion… 4 days ago
- RT @MalenaMalandra: About why we need to start designing for autonomy. 4 days ago
- RT @dsgnblts: FINAL CALL for New Experimental Research in Design! As you might know, the #NERDfor #conference had to be postponed to this s… 5 days ago
Tag Archives: gender
„It’s like theater“ – Soziale Konzepte von Gender und Körperlichkeit in Ari Asters Midsommar
von Sarah Reininghaus und Julia Willms Der vorliegende Artikel plant Entwürfe und Repräsentationen von Weiblichkeit im Zusammenhang mit Körperlichkeit und damit verstärkt Frauenfiguren[1] in Ari Asters Midsommar[2] in den Blick zu nehmen. Das Ziel ist es, anhand dieses populär-relevanten Beispiels … Continue reading
Posted in body, Diversity, Film, gender, german/deutsch, movie, report
Tagged Ari Aster, behinderung, critique, critizsm, design, disability, Film, gender, Geschlecht, Gestaltung, horror, Julia Willms, kritik, midsommar, movie, Sarah Reininghaus, spoiler
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Invisible Women – Exposing Data Bias in a World Designed for Men
A book review by Johanna Mehl. In her award-winning book „Invisible Women“ Caroline Criado Perez shows, how the lack of data or the refusal to regard existing data on women’s bodies, environments, and occupations cause the perpetuation of a male … Continue reading
Posted in awareness, body, Diversity, gender, Literature
Tagged book, buch, Caroline Criado Perez, data bias, design, gender, johanna mehl, review, rezension
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No innocent Artefacts
Corinna Barth*, against the background of Technoscience and Gender Studies, here talking about technological Embodiment, Hybrid Artefacts, Dynamic Embodiment and artificial inscriptions of gender aspects. According to Lucy Suchman, there ist no „Design from nowhere“ and therefore no “innocent artefacts”. … Continue reading